famposter.jpg
       
     
a_8_mts.jpg
       
     
el_palo_misterioso.jpg
       
     
espejo2.jpg
       
     
afores2.jpg
       
     
altubas2.jpg
       
     
cedula.jpg
       
     
le2.jpg
       
     
llaves032.jpg
       
     
Oaxaca, June, 1997.
       
     
politicos.jpg
       
     
oocez2.jpg
       
     
offering.jpg
       
     
perros2.jpg
       
     
tubas.jpg
       
     
norberto2.jpg
       
     
petrol.jpg
       
     
vigilandose033.jpg
       
     
bullpull.jpg
       
     
cabezasdetoros-2.jpg
       
     
twistedmetal.jpg
       
     
famposter.jpg
       
     
a_8_mts.jpg
       
     
el_palo_misterioso.jpg
       
     
espejo2.jpg
       
     
afores2.jpg
       
     
altubas2.jpg
       
     
cedula.jpg
       
     
le2.jpg
       
     
llaves032.jpg
       
     
Oaxaca, June, 1997.
       
     
Oaxaca, June, 1997.

In 1996 I had done a Maine Photographic Workshop (now called the Maine Media Workshops) with a National Geographic photographer. I met the workshop founder David Lyman during my stay and got his email. I wanted to do the Mary Ellen Mark workshop down in Oaxaca the following year and said I could help out with my Spanish language skills. David told me to keep in touch and that I could work in exchange for the cost of the workshop in Mexico. I booked a plane ticket to San Antonio, took a bus the rest of the way down and arrived the morning of the workshop. David was there and I saw Mary Ellen and I announced that I was here to help. She knew nothing about it! It was eventually sorted out and I was the contact sheet printer for each student. I was enrolled in the workshop so I would meet with Mary Ellen in the morning to look over any images I had taken (printed myself the night before in the darkroom), go shoot during the day, come back later for talks and presentations, go to sleep, then wake up at midnight to print everyones’ contact sheets. Then I would walk home, go to sleep and do it all over again. The workshop lasted a week and I think the most valuable thing I learned from it was that a photographer should move their body and not just stand in one place shooting from the head. Look for more interesting vantage points. I also learned that if you wanted good portraits you had to connect with people not just point a camera at them.

politicos.jpg
       
     
oocez2.jpg
       
     
offering.jpg
       
     
perros2.jpg
       
     
tubas.jpg
       
     
norberto2.jpg
       
     
petrol.jpg
       
     
vigilandose033.jpg
       
     
bullpull.jpg
       
     
cabezasdetoros-2.jpg
       
     
twistedmetal.jpg